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Chapter 4 - Quoting Hamlet
- from Part I - Shakespeare and Early Modern Quotation
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- Shakespeare and Quotation
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- 16 June 2018
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- 26 April 2018, pp 72-86
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64 - Cheap Print
- from Part VII - Popular Culture
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- The Cambridge Guide to the Worlds of Shakespeare
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- 17 August 2019
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- 21 January 2016, pp 499-503
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Performing Economic Thought: English Drama and Mercantile Writing 1600–1642. Bradley Ryner. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2014. xi + 218 pp. £70.
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- Renaissance Quarterly / Volume 68 / Issue 1 / Spring 2015
- Published online by Cambridge University Press:
- 20 November 2018, pp. 409-411
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- Spring 2015
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Chapter 1 - “Moralize two meanings” in one play: contrariety on the Tudor stage
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 26-41
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Chapter 3 - Mingling vice and “worthiness” in King John
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 57-76
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Acknowledgments
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp viii-x
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Chapter 2 - Performance, game, and representation in Richard III
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 42-56
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Chapter 4 - Clowning: agencies between voice and pen
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 77-98
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Chapter 8 - Character/actor: the deep matrix
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 160-177
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Chapter 5 - Clowning at the frontiers of representation
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 99-116
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Shakespeare and the Power of Performance
- Stage and Page in the Elizabethan Theatre
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- 22 September 2009
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- 07 August 2008
Contents
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp vii-vii
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Notes
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 224-255
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Frontmatter
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp i-vi
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Index
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 256-266
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Introduction
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 1-25
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Chapter 10 - King Lear: representations on stage and page
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 199-223
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Chapter 9 - Character: depth, dialogue, page
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 178-198
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Chapter 6 - Cross-dressing and performance in disguise
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 117-138
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Chapter 7 - Personation and playing: “secretly open” role-playing
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- Shakespeare and the Power of Performance
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- 22 September 2009
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- 07 August 2008, pp 139-159
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